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    Reviews
    October 14, 20220

    S. D. Chrostowska’s The Eyelid
    by Jeff Bursey

    Early in The Eyelid, a work wrapped in the silk of sleep and arms of…

    Reviews
    October 7, 20220

    Martha Schabas’ My Face in the Light
    by Brett Josef Grubisic

    With the bracing first paragraph of My Face in the Light, I anticipated an intense…

    Essays
    October 4, 20220

    If We Had A Can Lit That Worked
    by Ken Norris

    A response to John Metcalf’s Temerity & Gall.

    Essays
    October 3, 20220

    “Love is a green wash over the visible world”: Remembering Milton W. Jewell (1938–2021)
    by Bruce Whiteman

    I met Milt in the mid-1970s. My wife and I had moved to Toronto in…

    Essays
    September 30, 20220

    A Pack a Day
    by Ronald L. Grimes

    In the beginning lush San Diego was the Garden of Eden. At the end, when…

    Reviews
    September 30, 20220

    Hal Niedzviecki’s The Lost Expert
    by Alex Good

    A few years ago, in a review of Maureen Medved’s Black Star, I observed how a lot of women in Canadian novels were going insane in eerily similar ways.

    Essays
    September 27, 20220

    Write, Print, Fold, and Staple
    by Jim Johnstone

    On poetry chapbooks.

    Reviews
    September 23, 20220

    Susan Olding’s Big Reader; Essays
    by Jeff Miller

    “An essay was never about just one thing,” writes Susan Olding.

    Reviews
    September 16, 20220

    Wayne Johnston’s The Mystery of Right and Wrong
    by Kate Kennedy

    Wayne Johnston’s latest novel begins in 1969 as the van Hout family, Hans and Myra…

    The Dusty Bookcase
    September 12, 20220

    A Sop for Boredom
    By Brian Busby

    Eighteen-year-old Eve Smith is painting her nails at the London offices of Consolidated Press when in walks Hugh Fenwick.

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    CNQ Issue 114:
    Fall/Winter 2023


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